Hello writer friends. Too many article tell us writers what we need to give up to be a writer. Here are some things to give yourself: credit * a break * time * permission to make mistakes * a chance to recharge
Just in case nobody every told you, here is some information worth sharing, remembering, celebrating:
The first modern novel every published, The tale of Genji, was written by a Japanese noble woman named Murasaki Shikibu, early in the 11th century.
The best-selling novelist of all time was Dame Barbara Cartland who, before her death in 2000, published 723 novels.
The record for the fastest selling book of all time belongs to JK Rowling, for the seventh and final book of the Harry Potter series, which sold 11 million copies in 24 hours.
Here’s a little ray of writing sunshine: It’s easy to assume absolutely, finitely, without question that writing everyday leads to a productive writing career.
To be clear, for some people it does.
But contrary to the common advice that writing every day is essential to being a writer, “no particular work schedule is associated with high productivity. Even working on a regular basis yields a mixed pattern of results” (as cited in Kellogg, 1994, p. 194).
Further research is needed to investigate the question of whether the advice to write every day is sound advice or if it is just a fallacious argument that we think is true because so many say it is.
The creative life has to be kept in order on a regular basis. It’s not good enough to go to it for one day, or a few, a couple times a year. Creativity requires the luxury of time, which we must carve out for ourselves—even if it’s only fifteen minutes. Creative people need that luxury of time: time with friends, time with family, time to themselves with no agenda, even time to do their creative work.
We know in our bones what is right and what to do about it. Even if we say this is not so. Even if we will not admit it out loud. Even if the rigors of life distance us from our deeply intuitive lives. Even if, for reasons that seemed like good ones at the time, we have accepted permanent exile from our creativity impulses.
The truth is that creative people who don’t take time to take care of their creative life become very, very cranky. I have heard all the excuses that any creative person might knit up: I can’t right now. I’m not talented. I’m bored. I’m not important. I’m not educated enough. I have no ideas. I don’t know how. I don’t know what. I don’t know when. I don’t know why. I’m too busy. I don’t have time. I don’t have money. I don’t…I don’t…I don’t…
The promise of a creative life is very scary.
But, perhaps you didn’t know that being scared is most often very, very good for a creative person: it shows us what will happen if we allow ourselves to become talented derelicts. And often that’s scary enough to scare us back into creating again.
Don’t spend time wondering how you lost your way. It can be difficult to know exactly where we lost our way, for it is an insidious process, one that doesn’t occur in one day, but rather over a long period of time. We learn early to act on what others say, value and expect. Thus, we walk a long way down the wrong path before realize we did not actually choose this road.
Turn around, find your path. Walk your path.
Take your eyes off the price and put them on the prize. It’s important to write about things that matter to you. Moral intelligence creates authenticity in a writer. Set yourself something in writing that you are willing to reach for and, therefore, take risks for.
“Writing, the creative effort, the use of the imagination, should come first,–at least for some part of every day of your life. It is a wonderful blessing if you will use it. You will become happier, more enlightened, alive, impassioned, lighthearted and generous to everyone else.”
— Brenda Ueland, If You Want to Write
In June, I developed my One Hard Thing Rule: I do one hard thing every day. For me, it is often something that needs to be done that I’ve been avoiding.
It can be a simple as mopping the kitchen floor or writing an email that I’ve been avoiding.
Weeks after I started this, I came across Angela Duckworth’s work and something that she calls, the “Hard Thing Rule”. It’s a ritual, where, every single day, you have to do one hard thing. For Duckworth, “A hard thing is something that requires daily deliberate practice”.
It’s satisfying to write down the One Hard Thing I’ve done each day. Sometimes, it’s even fun. But, most importantly, every day is an opportunity for me to perform one small act of bravery that has the potential to change the course of my (writing) life. Duckworth believes that by doing hard things is how we develop grit. I believe it makes me a better writer. It is a way of purposely, safely, joyfully challenging myself to do just One Hard Thing every day.
Writing is hard. Committing words to a page day in and day out is hard.
It requires some amount of confidence and commitment.
Writing might be a passion, but it requires perseverance. It requires grit.
Duckworth said, “Grit is about working on something you care about so much that you’re willing to stay loyal to it” (Chapter 4).
That just may be the advantage of the One Hard Thing Rule for women writers.