Women Writers Who Give Me Hope

How does a woman learn to commit to safekeeping time and space to get her writing work done? Finding answers to that question is not easy. The kind of things a woman should change, commit to, and double down on to make her writerly life a success are hard to pinpoint. The theme of virtually every article I have read about how to write is straightforward: Just do it. Just find the time to write. Just write! You need a self-management goal plan, and you need to do it!

So why don’t we? How can so many women be so morally bankrupt that they can’t take this simple advice?

Here’s what I think: we try to pretend that the advice we are given is really good and the failure lies with all the women writers who can’t make it work for them. The failure lies at our feet.

It doesn’t make any sense. Is it not more logically that the advice we are given is just really bad advice?

Toni Morrison admits that she has no routine. She says, “I am not able to write regularly. I have never been able to do that—mostly because I have always had a nine-to-five job. I had to write either in between those hours, hurriedly, or spend a lot of weekend and predawn time.”

Likewise, Margaret Atwood, despite her enormous output, does not write every day. She said: “You always think, ‘Oh, if only I had a little chalet in the mountains! How great that would be and I’d do all this writing . . . Except, no, I wouldn’t. I’d do the same amount of writing I do now and the rest of the time I’d go stir crazy. If you’re waiting for the perfect moment you’ll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There’s nothing foolproof.”

These woman give me hope.

I know that I often feel totally overextended, as I suppose most women who want to create do, and like bell hooks, I think “often and deeply about women and work, about what it means to have the luxury of time – time spent collecting one’s thoughts, time to work undisturbed” (p. 125).

Writing requires time, and it is difficult to try and sneak in shreds of a creative life. We can pretend it is not so, but sneaking a life because the real one is not given room enough to thrive is hard on a woman’s vitality. I know, deep inside, that it is not a scheduling issue. And I suspected for many it is not a resistance issue, even though Rosanne Bane (2012) said, “Every writer experiences some kind of resistance from time to time” (p. 5). Writing is about art and craft, but it is also about discipline. Women who know their current methods are not working need simple practices that bring them to their writing space regularly. It is too easy to be subsumed, and for people to assume that this is natural and how it should be. It is a matter of staking our ground to get and maintain a sustainable and satisfying writing habit.

We can do it. There is hope, especially if we are willing to listen to women writers who have done it, who have made it work, like Morrison and Atwood and hooks. Let’s not listen to the people who demand that we just do it! They don’t get it.

Writing Tip #15

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Part of being a successful writer is knowing your genre. If you want to publish, it is important that, whatever genre you write in, you familiarize yourself with what’s current in your genre. What was popular even ten years ago isn’t necessarily popular today. Read what’s thrilling readers today. Then write the best darn article, essay, poem, or novel that you have in you.

The *Best* Time to Write

If you’re like me, you’ve read way too many articles on how to find time to write. And none of the advice seems to work.

This is one of my favorite passages from my Ph.D. dissertation:

Much of the advice on how to finding the time to write still mirrors a patriarchal mindset. Advice offered by men has a different tone from that given by women. Atchity (2018) said, “We all have the exact same amount at our disposal: 60 minutes each hour, 24 hours each day, 168 hours each week, 8,736 hours each year. If you put one hour into a project each day for a year, you’d have worked on it for 365 hours—more than enough time to write a book, and a screenplay, and a treatment or two” (para. 6).

Aside from claiming out that this is plenty of time “to write a book, and a screenplay, and a treatment or two,” his approach is similar to many other male writers who recommend a take-no-prisoners time-management approach.

Conversely, women writers are more apt to offer advice that recognizes that women writers live in a world of jobs and children and cooking, and offer suggestions like write on your lunch break at work, after you drop the kids off at school, or while dinner’s in the oven.

McGriff (2017) is typical of many women when she says, “I have three good hours to write Monday through Thursday. That includes my lunch hour at work and two hours in the evening after my daughter goes to bed” (Tip section, para. 3).

Also, in contrast to Atchity, is female television producer and author Storey (2016) who tells women, “Think about your story while you chop vegetables, then while waiting for pots to simmer, write down those thoughts” (Tip section, para. 5).

This difference in advice on how to find time to write further illustrates the social-cultural divide between men and women. This clearly shows that the writing advice offered by men may be bad advice for women writers to follow, because it may set a standard that many women are unable to reach.

***

It doesn’t matter what men writers tell you, there is no best practice for women writers.

Your writing life has to work with you: your life circumstances, who you are, where you are in life, even what kind of writing you do. (Are you writing novels or poems? The time commitment from idea to finished product is vastly different in those genres.)

A woman’s life is messy/multi-faceted/busy/overwhelming and you have to go with the flow.

Need a boost? Go back to basics.

Block out time. Schedule it as if it were a job you had to show up for every week. Tell yourself, for X amount of time, I’m going to sit at this spot, doing this work.

If you’re not currently blocking out writing time, look at your day and where you can write instead of doing something else.

Then, let the world fade, focus on your writing in that moment, and get the words on the page.

Finding Secret Undiscovered-for-Writing Pockets of Time to Write

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For a woman, every day is about making choices. Some of those choices we have no control over. We have to be at work at a certain time, pick up the kids from daycare, or take the cat to the vet. But there are other things that we do have control over: like whether or not we write.

When we own up to the fact that we really do choose whether or not to spend a piece of our day or week writing, then it’s coming from a place of empowerment. We’re in charge. We’re saying yes or no to writing at that time. That replaces victimhood.

So, let’s acknowledge there are things we must do. These things are not choices.

If your days are busy and chaotic, like mine. Then, look for those quieter moments where you can settle in and write for a little while. Do you commute to work? Can you write to and from your job? Or can you bring a sack lunch, stay at your desk and write a few days a week? How about if you treat yourself to a coffee and sandwich at a nearby coffee shop and spend that hour alone writing?

Here’s my point: If you’re truly invested in your writing, you may need to look for those secret, hidden, undiscovered-for-writing pockets of the day that don’t take away from family and home responsibilities, and do your writing at those times.

You are braver than you think

To write when we have so many other pressing demands takes courage.

Katherine Anne Porter said, “One of the marks of a gift is to have the courage of it.”

It takes courage to move beyond wanting to write, to writing. Courage to put words down on paper. Courage to tune out family and responsibilities, if even only for a short time.

But there is no other way to be a writer. The actual, genuine, true gift of writing is courage. You, dear writer, are braver than you think.

Hello!

Hello writer friends. Too many article tell us writers what we need to give up to be a writer. Here are some things to give yourself: credit * a break * time * permission to make mistakes * a chance to recharge

The Truth About Being A Writer

If you want to be a writer you have to show up, sit down, and write. Words may be dictated to you by God as they were for Giacomo Puccini when he wrote the opera Madame Butterfly, but then it’s up to you to do the menial work of getting them down on paper, because you’re just the designated typist. That job involves a lot of hard, laborious, meticulous work that takes dedication and persistence. When it comes right down to it, writing is just a job, and like any other job you have to work at it. Okay, and it’s the only thing that makes you happy.

Trust the Process

Writers like to tell other writers to trust the process. Show up, sit down and write, and trust that something good is emerging.

But how do you trust the process? It’s simple. You need a plan that guides your writing:

Pick a place to write in every day
Pick a time to write every day
Pick an amount of time to write every day

That’s it. It could be your favorite coffee shop at 7 a.m. for 30 minutes or your lunch hour. It could be your armchair in your living room at 7 p.m. Do that every day—or at least more days than not—and you’ll find the process is working.

Writing Tip #13

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Make it a habit to read work that matches roughly what you hope to write and publish. Read the kind of books you’d like to write, the poems you’d like to write, the articles you’d like to write for magazines. Make it as important as anything else you schedule in your day, and never allow busyness to crowd out the time you devote to consuming other good works.