Don’t worry about people stealing your ideas. If your ideas are any good, you’ll have to ram them down people’s throats.
I read every day. I tell my students to read and read widely.
Reading is the one necessary prerequisite for writing.
If you’re a reader, you know the forms and conventions of writing and how others use the forms and conventions to shape their work. You know how to write.
Maybe you don’t know how to begin or continue or finish. Maybe you don’t know how to publish what you’ve written.
But I’m here to tell you that you do know how to write.
The rest can be learned.
This blog can help.
“A word after a word after a word is power,” says novelist Margaret Atwood.
Today is January 9. We’re leaning into the end of the second week of January 2020. What have you written this year? What are you writing today?
Cynthia Ozick said, “If we had to say what writing is, we would have to define it essentially as an act of courage.”
To sit down and write when you have dozens of other pressing demands, takes courage. But there is no other way to write.
Today let’s remember Katherine Anne Porter’s words: One of the marks of a gift is to have the courage of it.
I’m thinking about this today. Reminding myself, remind my students, reminding you, dear writer . . . Writing is a huge undertaking, immense; it take more than all you have when you begin.
Photo by Sorn DaVid on Unsplash
Part of being a successful writer is knowing your genre. If you want to publish, it is important that, whatever genre you write in, you familiarize yourself with what’s current in your genre. What was popular even ten years ago isn’t necessarily popular today. Read what’s thrilling readers today. Then write the best darn article, essay, poem, or novel that you have in you.
For a woman, every day is about making choices. Some of those choices we have no control over. We have to be at work at a certain time, pick up the kids from daycare, or take the cat to the vet. But there are other things that we do have control over: like whether or not we write.
When we own up to the fact that we really do choose whether or not to spend a piece of our day or week writing, then it’s coming from a place of empowerment. We’re in charge. We’re saying yes or no to writing at that time. That replaces victimhood.
So, let’s acknowledge there are things we must do. These things are not choices.
If your days are busy and chaotic, like mine. Then, look for those quieter moments where you can settle in and write for a little while. Do you commute to work? Can you write to and from your job? Or can you bring a sack lunch, stay at your desk and write a few days a week? How about if you treat yourself to a coffee and sandwich at a nearby coffee shop and spend that hour alone writing?
Here’s my point: If you’re truly invested in your writing, you may need to look for those secret, hidden, undiscovered-for-writing pockets of the day that don’t take away from family and home responsibilities, and do your writing at those times.
I am a writer.
I am a woman writer.
In my world, that makes me superwoman.
What’s your superpower?
If you want to be a writer you have to show up, sit down, and write. Words may be dictated to you by God as they were for Giacomo Puccini when he wrote the opera Madame Butterfly, but then it’s up to you to do the menial work of getting them down on paper, because you’re just the designated typist. That job involves a lot of hard, laborious, meticulous work that takes dedication and persistence. When it comes right down to it, writing is just a job, and like any other job you have to work at it. Okay, and it’s the only thing that makes you happy.