Photo by Sorn DaVid on Unsplash
Part of being a successful writer is knowing your genre. If you want to publish, it is important that, whatever genre you write in, you familiarize yourself with what’s current in your genre. What was popular even ten years ago isn’t necessarily popular today. Read what’s thrilling readers today. Then write the best darn article, essay, poem, or novel that you have in you.
For a woman, every day is about making choices. Some of those choices we have no control over. We have to be at work at a certain time, pick up the kids from daycare, or take the cat to the vet. But there are other things that we do have control over: like whether or not we write.
When we own up to the fact that we really do choose whether or not to spend a piece of our day or week writing, then it’s coming from a place of empowerment. We’re in charge. We’re saying yes or no to writing at that time. That replaces victimhood.
So, let’s acknowledge there are things we must do. These things are not choices.
If your days are busy and chaotic, like mine. Then, look for those quieter moments where you can settle in and write for a little while. Do you commute to work? Can you write to and from your job? Or can you bring a sack lunch, stay at your desk and write a few days a week? How about if you treat yourself to a coffee and sandwich at a nearby coffee shop and spend that hour alone writing?
Here’s my point: If you’re truly invested in your writing, you may need to look for those secret, hidden, undiscovered-for-writing pockets of the day that don’t take away from family and home responsibilities, and do your writing at those times.
I am a writer.
I am a woman writer.
In my world, that makes me superwoman.
What’s your superpower?
If you want to be a writer you have to show up, sit down, and write. Words may be dictated to you by God as they were for Giacomo Puccini when he wrote the opera Madame Butterfly, but then it’s up to you to do the menial work of getting them down on paper, because you’re just the designated typist. That job involves a lot of hard, laborious, meticulous work that takes dedication and persistence. When it comes right down to it, writing is just a job, and like any other job you have to work at it. Okay, and it’s the only thing that makes you happy.
Mary Gordon said, “A writer uses a journal to try out the new step in front of the mirror.”
Are you trying out new steps? A new dance? Writing in a journal is the place to experiment. To develop our talent further.
Today, try out a few steps in front of the mirror.
Here’s a little ray of writing sunshine: It’s easy to assume absolutely, finitely, without question that writing everyday leads to a productive writing career.
To be clear, for some people it does.
But contrary to the common advice that writing every day is essential to being a writer, “no particular work schedule is associated with high productivity. Even working on a regular basis yields a mixed pattern of results” (as cited in Kellogg, 1994, p. 194).
Further research is needed to investigate the question of whether the advice to write every day is sound advice or if it is just a fallacious argument that we think is true because so many say it is.
The creative life has to be kept in order on a regular basis. It’s not good enough to go to it for one day, or a few, a couple times a year. Creativity requires the luxury of time, which we must carve out for ourselves—even if it’s only fifteen minutes. Creative people need that luxury of time: time with friends, time with family, time to themselves with no agenda, even time to do their creative work.
We know in our bones what is right and what to do about it. Even if we say this is not so. Even if we will not admit it out loud. Even if the rigors of life distance us from our deeply intuitive lives. Even if, for reasons that seemed like good ones at the time, we have accepted permanent exile from our creativity impulses.
The truth is that creative people who don’t take time to take care of their creative life become very, very cranky. I have heard all the excuses that any creative person might knit up: I can’t right now. I’m not talented. I’m bored. I’m not important. I’m not educated enough. I have no ideas. I don’t know how. I don’t know what. I don’t know when. I don’t know why. I’m too busy. I don’t have time. I don’t have money. I don’t…I don’t…I don’t…
The promise of a creative life is very scary.
But, perhaps you didn’t know that being scared is most often very, very good for a creative person: it shows us what will happen if we allow ourselves to become talented derelicts. And often that’s scary enough to scare us back into creating again.
Don’t spend time wondering how you lost your way. It can be difficult to know exactly where we lost our way, for it is an insidious process, one that doesn’t occur in one day, but rather over a long period of time. We learn early to act on what others say, value and expect. Thus, we walk a long way down the wrong path before realize we did not actually choose this road.
Turn around, find your path. Walk your path.